Joy Of Having An Amazing Polish Person In Your Life Tee Shirts White
Joy Of Having An Amazing Polish Person In Your Life Tee Shirts White
Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: https://guineashirt.com/product/let-me-pour-you-a-tall-glass-of-get-the-fuck-over-it-skull-shirt/ As one of the fashion world’s top supermodels, Cindy Crawford has had no shortage of high-fashion moments. Whether she’s gracing the covers of magazines, walking the runways, or starring in iconic Super Bowl commercials (yes, the Pepsi one), each project comes with a stellar look—and now Crawford revisited some of her very best ones in a new Vogue video.Crawford began her trip down fashion memory lane by reminiscing on her days hosting MTV’s House of Style in the late 1980s. The show brought her authentic model-off-duty style to the forefront. “When I first started doing House of Style, there was no stylist,” says Crawford. “The first time we shot, I brought my own Azzedine Alaïa dress and leather jacket.” This continued on into the ’90s, when Crawford would often dress herself for red carpets, such as at the 1991 Oscars, when she wore a red-hot Versace number. “The red-carpet thing was not such a big deal [back then],” she says. Her innate style even seeped into her commercial projects: Crawford sported her own denim in her now iconic 1992 Pepsi Super Bowl commercial. “They were my own jeans that I wore to set that day,” she says. “They were like, ‘Can we just cut your jeans into cutoffs?’”And of course there are her catwalk moments. One of her standout memories was when she walked the Versace show in 1991 with her fellow supers Christy Turlington, Naomi Campbell, and Linda Evangelista. (The four of them strutted to the tune of George Michael’s “Freedom,” for which they also starred in the music video.) “It was one of those moments where music, pop culture, and fashion all came together in a super magical way,” says Crawford of the show. “Gianni [Versace] was really responsible for the rise of the supermodel.” She also cherishes her memories of shooting over the years with iconic fashion photographers, such as Steven Meisel and Helmut Newton. “[Helmut] would tell you a story as you were doing the picture,” Crawford says. “He would be like, ‘You were married to a very rich man, and he died. But you had a young lover.’”As for more recent style hits, Crawford says she has been enjoying playing dress-up with her daughter, Kaia Gerber—who is also a model and Vogue’s cover star this month—on the red carpet. When Gerber received the model of the year award at the 2018 Fashion Awards in a silver Alexander McQueen dress, Crawford accompanied her in a chic black Marchesa gown. “I was like, Yes, I’m still Cindy Crawford, but tonight I want to be Kaia’s mom,” said Crawford of the understated look. “The last thing I wanted to do was look like I’m competing with my 17-year-old daughter. It was elegant and chic but not trying to be a showstopper.” Her number one tip for both her children, Kaia and son Presley? “Show up on time, be prepared—and stay off your phone.”Above, watch the full Life in Looks video. Director: Rom BokobzaDirector of Photography: Vivian Lau Editor: Eve HinzProducer: Naomi NishiAssociate Producer: Arielle Neblett Camera Operator: Liz Hamer Gaffer: Cassi MulcahySound: Kara JohnsonSet Design: Sage GriffinProduction Assistant: Nicholle Navarro Filmed on location at Hotel Casa del Mar in Santa Monica For Vogue Mexico’s May issue, the publication wanted a cover star who represents “the face of a new generation of models,” and Indigenous model Quannah Chasinghorse certainly embodies this in more ways than one. Photographed by Inez & Vinoodh for the cover (in an ethereal Valentino dress, no less) the 18-year-old is a refreshing addition to the fashion scene: She proudly displays her traditional tattoos, rocks authentic Indigenous style, and has an array of impressive activism work under her belt too. In the process, she’s also breaking barriers, providing much-needed representation for Indigenous people in an industry that has long overlooked and excluded Indigenous talent.Currently based in Fairbanks, Alaska, Chasinghorse—who is Hän Gwich’in and Oglala Lakota—is still relatively new to modeling. She has lived in Alaska since she was seven, and only signed with IMG back in December. One of her first big modeling jobs was being cast in a Calvin Klein campaign in October last year, and since then, she has been cast in shoots for V and Thunder Voice Hat Co., an Indigenous-owned hat company. She says her new Vogue Mexico cover is completely surreal. “I’ve always wanted to model. But growing up, I never saw Indigenous representation in fashion or beauty,” Chasinghorse says. “I never grew up feeling confident because of the negative stereotypes of Native Americans. But that’s changing. Today, younger generations are going to be able to witness Indigenous excellence on the cover of magazines—and hopefully everywhere.”Prior to her foray into modeling, Chasinghorse was known predominantly for her activism work around Indigenous issues and climate change, and she has gained a large following on social media because of it (she currently has 40,000 followers on Instagram alone). In the past, she has fought tirelessly to conserve her state’s Arctic National Wildlife Refuge—a sweeping, 20-million-acre ecosystem that continues to face endangerment due to global warming—and she continues to use her social media to advocate for key issues such as this. “I’m extremely passionate about the [activism] work that I do,” says Chasinghorse. “I get Native youth reaching out to me and telling me that I inspire them to use their voice, and to look more into their identity as an Indigenous person too.”Chasinghorse is also bringing her knowledge and wisdom to her modeling work. With each job she takes, she hopes to educate people about her culture and to share her personal experiences. “People forget that we are people that have gone through so much,” says Chasinghorse. “They forget the history, let alone even know the history—it’s been invisibilized for years. But we’re starting to see more Indigenous people being uplifted and included, and it’s amazing to be a part of it.” One way she’s bringing her culture to the modeling space is through her love of Indigenous fashion. For a recent V shoot, for instance, she wore some of her own Indigenous-made jewelry pieces. “For many years, our culture and our sacred symbols have been [appropriated],” says Chasinghorse, who adds that she loves bringing authentic pieces that she and her family have made to the forefront of the fashion world. “My grandma and my aunties are the ones that taught me how to bead.”Chasinghorse also embraces her individuality in modeling through her traditional Hän Gwich’in tattoos, called Yidįįłtoo, which are a striking part of her signature look. “They make me feel more confident, because [by having them] I’m carrying a part of my ancestors that was almost completely lost,” says Chasinghorse. She got her first tattoo, a singular line running down her chin, at age 14. It was done by her mother in a hand-poke style. “My mom has been educating me about our sacred tattoos since a young age,” says Chasinghorse. “The meaning of my first tattoo is all about becoming a woman. [In my culture] when someone steps into her womanhood, she is now able to give birth, get married, and start taking on more responsibilities. With that comes a ceremony; we always hold a ceremony when we do traditional tattoos. It was such a powerful experience. When I got the tattoo, I really felt myself connecting to a deeper part of myself.”She got her second traditional tattoo—three dots at the corner of each eye—last year. It was also done by her mother, and inspired by a dream she had about her. “I’ve been battling with depression and anxiety since elementary school, and I realized I needed to start focusing on my healing,” says Chasinghorse. “I had a dream that my mom was tattooing around my eyes, and she said, ‘You need to start your healing journey.’” She decided to get the tattoos done as an homage to the resiliency and constant healing work that Indigenous people have to go through. “I remember when I was done, I felt like a different person,” says Chasinghorse. She wants to continue adding to it too. “I’m not done with it; I want to connect the three dots to form a line,” she says. Like all of her activism work and impactful fashion choices, she sees her tattoos as an opportunity to educate others about a lesser-known aspect of her culture. This is especially powerful in a space like modeling, where models were once expected to have a uniform look. “The world is slowly recognizing that Indigenous people are not only beautiful and strong, but we hold values that are solutions to a lot of today’s problems, such as the climate crisis,” she says. Though she loves modeling and fashion in general, she wants to use it for something bigger. “I am a storyteller,” Chasinghorse says. “I wish I was able to see [someone like myself] as a kid, because I would have felt so much more confident in myself.” While the Michael Kors fall 2021 show included familiar faces such as Ashley Graham, Paloma Elsesser, Alek Wek, Bella Hadid, and Precious Lee, another group of models stole the show. Today, a pack of the original supers—Naomi Campbell, Helena Christensen, Carolyn Murphy, and Shalom Harlow—walked the runway too. The glowing foursome reunited in honor of Kors’s label’s 40th anniversary. The show was held in the Theater District, where the designer had regularly gone to see Broadway shows. Kors and his company also made a donation to the Actors Fund, which aids those working in the entertainment industry and has become crucial during COVID-19. Throughout the show, models strut down a lit-up Midtown while marquees boasted the Michael Kors name. As for those supermodel veterans? They all wore shimmering, body-skimming dresses in black, silver, and gold. This is not the first time that ’90s-era supermodels have joined one another onstage years later. Back in 2017, Cindy Crawford, Carla Bruni, Claudia Schiffer, and Helena Christensen, now all in their 50s, walked the Versace runway while lip-synching “Freedom! ’90” in honor of the 20th anniversary of the death of Gianni Versace.In both instances, it was refreshing to see women in their 40s and 50s walking the runway. And now when much of the shows are being seen through screens and not in person, a supermodel reunion may just be the moment that we all need for a bit of excitement. 6 Available products for Let Me Pour You A Tall Glass Of Get The Fuck Over It Skull Shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Home page: https://guineashirt.com This product belong to hung2 Joy Of Having An Amazing Polish Person In Your Life Tee Shirts White Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: https://guineashirt.com/product/let-me-pour-you-a-tall-glass-of-get-the-fuck-over-it-skull-shirt/ As one of the fashion world’s top supermodels, Cindy Crawford has had no shortage of high-fashion moments. Whether she’s gracing the covers of magazines, walking the runways, or starring in iconic Super Bowl commercials (yes, the Pepsi one), each project comes with a stellar look—and now Crawford revisited some of her very best ones in a new Vogue video.Crawford began her trip down fashion memory lane by reminiscing on her days hosting MTV’s House of Style in the late 1980s. The show brought her authentic model-off-duty style to the forefront. “When I first started doing House of Style, there was no stylist,” says Crawford. “The first time we shot, I brought my own Azzedine Alaïa dress and leather jacket.” This continued on into the ’90s, when Crawford would often dress herself for red carpets, such as at the 1991 Oscars, when she wore a red-hot Versace number. “The red-carpet thing was not such a big deal [back then],” she says. Her innate style even seeped into her commercial projects: Crawford sported her own denim in her now iconic 1992 Pepsi Super Bowl commercial. “They were my own jeans that I wore to set that day,” she says. “They were like, ‘Can we just cut your jeans into cutoffs?’”And of course there are her catwalk moments. One of her standout memories was when she walked the Versace show in 1991 with her fellow supers Christy Turlington, Naomi Campbell, and Linda Evangelista. (The four of them strutted to the tune of George Michael’s “Freedom,” for which they also starred in the music video.) “It was one of those moments where music, pop culture, and fashion all came together in a super magical way,” says Crawford of the show. “Gianni [Versace] was really responsible for the rise of the supermodel.” She also cherishes her memories of shooting over the years with iconic fashion photographers, such as Steven Meisel and Helmut Newton. “[Helmut] would tell you a story as you were doing the picture,” Crawford says. “He would be like, ‘You were married to a very rich man, and he died. But you had a young lover.’”As for more recent style hits, Crawford says she has been enjoying playing dress-up with her daughter, Kaia Gerber—who is also a model and Vogue’s cover star this month—on the red carpet. When Gerber received the model of the year award at the 2018 Fashion Awards in a silver Alexander McQueen dress, Crawford accompanied her in a chic black Marchesa gown. “I was like, Yes, I’m still Cindy Crawford, but tonight I want to be Kaia’s mom,” said Crawford of the understated look. “The last thing I wanted to do was look like I’m competing with my 17-year-old daughter. It was elegant and chic but not trying to be a showstopper.” Her number one tip for both her children, Kaia and son Presley? “Show up on time, be prepared—and stay off your phone.”Above, watch the full Life in Looks video. Director: Rom BokobzaDirector of Photography: Vivian Lau Editor: Eve HinzProducer: Naomi NishiAssociate Producer: Arielle Neblett Camera Operator: Liz Hamer Gaffer: Cassi MulcahySound: Kara JohnsonSet Design: Sage GriffinProduction Assistant: Nicholle Navarro Filmed on location at Hotel Casa del Mar in Santa Monica For Vogue Mexico’s May issue, the publication wanted a cover star who represents “the face of a new generation of models,” and Indigenous model Quannah Chasinghorse certainly embodies this in more ways than one. Photographed by Inez & Vinoodh for the cover (in an ethereal Valentino dress, no less) the 18-year-old is a refreshing addition to the fashion scene: She proudly displays her traditional tattoos, rocks authentic Indigenous style, and has an array of impressive activism work under her belt too. In the process, she’s also breaking barriers, providing much-needed representation for Indigenous people in an industry that has long overlooked and excluded Indigenous talent.Currently based in Fairbanks, Alaska, Chasinghorse—who is Hän Gwich’in and Oglala Lakota—is still relatively new to modeling. She has lived in Alaska since she was seven, and only signed with IMG back in December. One of her first big modeling jobs was being cast in a Calvin Klein campaign in October last year, and since then, she has been cast in shoots for V and Thunder Voice Hat Co., an Indigenous-owned hat company. She says her new Vogue Mexico cover is completely surreal. “I’ve always wanted to model. But growing up, I never saw Indigenous representation in fashion or beauty,” Chasinghorse says. “I never grew up feeling confident because of the negative stereotypes of Native Americans. But that’s changing. Today, younger generations are going to be able to witness Indigenous excellence on the cover of magazines—and hopefully everywhere.”Prior to her foray into modeling, Chasinghorse was known predominantly for her activism work around Indigenous issues and climate change, and she has gained a large following on social media because of it (she currently has 40,000 followers on Instagram alone). In the past, she has fought tirelessly to conserve her state’s Arctic National Wildlife Refuge—a sweeping, 20-million-acre ecosystem that continues to face endangerment due to global warming—and she continues to use her social media to advocate for key issues such as this. “I’m extremely passionate about the [activism] work that I do,” says Chasinghorse. “I get Native youth reaching out to me and telling me that I inspire them to use their voice, and to look more into their identity as an Indigenous person too.”Chasinghorse is also bringing her knowledge and wisdom to her modeling work. With each job she takes, she hopes to educate people about her culture and to share her personal experiences. “People forget that we are people that have gone through so much,” says Chasinghorse. “They forget the history, let alone even know the history—it’s been invisibilized for years. But we’re starting to see more Indigenous people being uplifted and included, and it’s amazing to be a part of it.” One way she’s bringing her culture to the modeling space is through her love of Indigenous fashion. For a recent V shoot, for instance, she wore some of her own Indigenous-made jewelry pieces. “For many years, our culture and our sacred symbols have been [appropriated],” says Chasinghorse, who adds that she loves bringing authentic pieces that she and her family have made to the forefront of the fashion world. “My grandma and my aunties are the ones that taught me how to bead.”Chasinghorse also embraces her individuality in modeling through her traditional Hän Gwich’in tattoos, called Yidįįłtoo, which are a striking part of her signature look. “They make me feel more confident, because [by having them] I’m carrying a part of my ancestors that was almost completely lost,” says Chasinghorse. She got her first tattoo, a singular line running down her chin, at age 14. It was done by her mother in a hand-poke style. “My mom has been educating me about our sacred tattoos since a young age,” says Chasinghorse. “The meaning of my first tattoo is all about becoming a woman. [In my culture] when someone steps into her womanhood, she is now able to give birth, get married, and start taking on more responsibilities. With that comes a ceremony; we always hold a ceremony when we do traditional tattoos. It was such a powerful experience. When I got the tattoo, I really felt myself connecting to a deeper part of myself.”She got her second traditional tattoo—three dots at the corner of each eye—last year. It was also done by her mother, and inspired by a dream she had about her. “I’ve been battling with depression and anxiety since elementary school, and I realized I needed to start focusing on my healing,” says Chasinghorse. “I had a dream that my mom was tattooing around my eyes, and she said, ‘You need to start your healing journey.’” She decided to get the tattoos done as an homage to the resiliency and constant healing work that Indigenous people have to go through. “I remember when I was done, I felt like a different person,” says Chasinghorse. She wants to continue adding to it too. “I’m not done with it; I want to connect the three dots to form a line,” she says. Like all of her activism work and impactful fashion choices, she sees her tattoos as an opportunity to educate others about a lesser-known aspect of her culture. This is especially powerful in a space like modeling, where models were once expected to have a uniform look. “The world is slowly recognizing that Indigenous people are not only beautiful and strong, but we hold values that are solutions to a lot of today’s problems, such as the climate crisis,” she says. Though she loves modeling and fashion in general, she wants to use it for something bigger. “I am a storyteller,” Chasinghorse says. “I wish I was able to see [someone like myself] as a kid, because I would have felt so much more confident in myself.” While the Michael Kors fall 2021 show included familiar faces such as Ashley Graham, Paloma Elsesser, Alek Wek, Bella Hadid, and Precious Lee, another group of models stole the show. Today, a pack of the original supers—Naomi Campbell, Helena Christensen, Carolyn Murphy, and Shalom Harlow—walked the runway too. The glowing foursome reunited in honor of Kors’s label’s 40th anniversary. The show was held in the Theater District, where the designer had regularly gone to see Broadway shows. Kors and his company also made a donation to the Actors Fund, which aids those working in the entertainment industry and has become crucial during COVID-19. Throughout the show, models strut down a lit-up Midtown while marquees boasted the Michael Kors name. As for those supermodel veterans? They all wore shimmering, body-skimming dresses in black, silver, and gold. This is not the first time that ’90s-era supermodels have joined one another onstage years later. Back in 2017, Cindy Crawford, Carla Bruni, Claudia Schiffer, and Helena Christensen, now all in their 50s, walked the Versace runway while lip-synching “Freedom! ’90” in honor of the 20th anniversary of the death of Gianni Versace.In both instances, it was refreshing to see women in their 40s and 50s walking the runway. And now when much of the shows are being seen through screens and not in person, a supermodel reunion may just be the moment that we all need for a bit of excitement. 6 Available products for Let Me Pour You A Tall Glass Of Get The Fuck Over It Skull Shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Home page: https://guineashirt.com This product belong to hung2
Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: https://guineashirt.com/product/let-me-pour-you-a-tall-glass-of-get-the-fuck-over-it-skull-shirt/ As one of the fashion world’s top supermodels, Cindy Crawford has had no shortage of high-fashion moments. Whether she’s gracing the covers of magazines, walking the runways, or starring in iconic Super Bowl commercials (yes, the Pepsi one), each project comes with a stellar look—and now Crawford revisited some of her very best ones in a new Vogue video.Crawford began her trip down fashion memory lane by reminiscing on her days hosting MTV’s House of Style in the late 1980s. The show brought her authentic model-off-duty style to the forefront. “When I first started doing House of Style, there was no stylist,” says Crawford. “The first time we shot, I brought my own Azzedine Alaïa dress and leather jacket.” This continued on into the ’90s, when Crawford would often dress herself for red carpets, such as at the 1991 Oscars, when she wore a red-hot Versace number. “The red-carpet thing was not such a big deal [back then],” she says. Her innate style even seeped into her commercial projects: Crawford sported her own denim in her now iconic 1992 Pepsi Super Bowl commercial. “They were my own jeans that I wore to set that day,” she says. “They were like, ‘Can we just cut your jeans into cutoffs?’”And of course there are her catwalk moments. One of her standout memories was when she walked the Versace show in 1991 with her fellow supers Christy Turlington, Naomi Campbell, and Linda Evangelista. (The four of them strutted to the tune of George Michael’s “Freedom,” for which they also starred in the music video.) “It was one of those moments where music, pop culture, and fashion all came together in a super magical way,” says Crawford of the show. “Gianni [Versace] was really responsible for the rise of the supermodel.” She also cherishes her memories of shooting over the years with iconic fashion photographers, such as Steven Meisel and Helmut Newton. “[Helmut] would tell you a story as you were doing the picture,” Crawford says. “He would be like, ‘You were married to a very rich man, and he died. But you had a young lover.’”As for more recent style hits, Crawford says she has been enjoying playing dress-up with her daughter, Kaia Gerber—who is also a model and Vogue’s cover star this month—on the red carpet. When Gerber received the model of the year award at the 2018 Fashion Awards in a silver Alexander McQueen dress, Crawford accompanied her in a chic black Marchesa gown. “I was like, Yes, I’m still Cindy Crawford, but tonight I want to be Kaia’s mom,” said Crawford of the understated look. “The last thing I wanted to do was look like I’m competing with my 17-year-old daughter. It was elegant and chic but not trying to be a showstopper.” Her number one tip for both her children, Kaia and son Presley? “Show up on time, be prepared—and stay off your phone.”Above, watch the full Life in Looks video. Director: Rom BokobzaDirector of Photography: Vivian Lau Editor: Eve HinzProducer: Naomi NishiAssociate Producer: Arielle Neblett Camera Operator: Liz Hamer Gaffer: Cassi MulcahySound: Kara JohnsonSet Design: Sage GriffinProduction Assistant: Nicholle Navarro Filmed on location at Hotel Casa del Mar in Santa Monica For Vogue Mexico’s May issue, the publication wanted a cover star who represents “the face of a new generation of models,” and Indigenous model Quannah Chasinghorse certainly embodies this in more ways than one. Photographed by Inez & Vinoodh for the cover (in an ethereal Valentino dress, no less) the 18-year-old is a refreshing addition to the fashion scene: She proudly displays her traditional tattoos, rocks authentic Indigenous style, and has an array of impressive activism work under her belt too. In the process, she’s also breaking barriers, providing much-needed representation for Indigenous people in an industry that has long overlooked and excluded Indigenous talent.Currently based in Fairbanks, Alaska, Chasinghorse—who is Hän Gwich’in and Oglala Lakota—is still relatively new to modeling. She has lived in Alaska since she was seven, and only signed with IMG back in December. One of her first big modeling jobs was being cast in a Calvin Klein campaign in October last year, and since then, she has been cast in shoots for V and Thunder Voice Hat Co., an Indigenous-owned hat company. She says her new Vogue Mexico cover is completely surreal. “I’ve always wanted to model. But growing up, I never saw Indigenous representation in fashion or beauty,” Chasinghorse says. “I never grew up feeling confident because of the negative stereotypes of Native Americans. But that’s changing. Today, younger generations are going to be able to witness Indigenous excellence on the cover of magazines—and hopefully everywhere.”Prior to her foray into modeling, Chasinghorse was known predominantly for her activism work around Indigenous issues and climate change, and she has gained a large following on social media because of it (she currently has 40,000 followers on Instagram alone). In the past, she has fought tirelessly to conserve her state’s Arctic National Wildlife Refuge—a sweeping, 20-million-acre ecosystem that continues to face endangerment due to global warming—and she continues to use her social media to advocate for key issues such as this. “I’m extremely passionate about the [activism] work that I do,” says Chasinghorse. “I get Native youth reaching out to me and telling me that I inspire them to use their voice, and to look more into their identity as an Indigenous person too.”Chasinghorse is also bringing her knowledge and wisdom to her modeling work. With each job she takes, she hopes to educate people about her culture and to share her personal experiences. “People forget that we are people that have gone through so much,” says Chasinghorse. “They forget the history, let alone even know the history—it’s been invisibilized for years. But we’re starting to see more Indigenous people being uplifted and included, and it’s amazing to be a part of it.” One way she’s bringing her culture to the modeling space is through her love of Indigenous fashion. For a recent V shoot, for instance, she wore some of her own Indigenous-made jewelry pieces. “For many years, our culture and our sacred symbols have been [appropriated],” says Chasinghorse, who adds that she loves bringing authentic pieces that she and her family have made to the forefront of the fashion world. “My grandma and my aunties are the ones that taught me how to bead.”Chasinghorse also embraces her individuality in modeling through her traditional Hän Gwich’in tattoos, called Yidįįłtoo, which are a striking part of her signature look. “They make me feel more confident, because [by having them] I’m carrying a part of my ancestors that was almost completely lost,” says Chasinghorse. She got her first tattoo, a singular line running down her chin, at age 14. It was done by her mother in a hand-poke style. “My mom has been educating me about our sacred tattoos since a young age,” says Chasinghorse. “The meaning of my first tattoo is all about becoming a woman. [In my culture] when someone steps into her womanhood, she is now able to give birth, get married, and start taking on more responsibilities. With that comes a ceremony; we always hold a ceremony when we do traditional tattoos. It was such a powerful experience. When I got the tattoo, I really felt myself connecting to a deeper part of myself.”She got her second traditional tattoo—three dots at the corner of each eye—last year. It was also done by her mother, and inspired by a dream she had about her. “I’ve been battling with depression and anxiety since elementary school, and I realized I needed to start focusing on my healing,” says Chasinghorse. “I had a dream that my mom was tattooing around my eyes, and she said, ‘You need to start your healing journey.’” She decided to get the tattoos done as an homage to the resiliency and constant healing work that Indigenous people have to go through. “I remember when I was done, I felt like a different person,” says Chasinghorse. She wants to continue adding to it too. “I’m not done with it; I want to connect the three dots to form a line,” she says. Like all of her activism work and impactful fashion choices, she sees her tattoos as an opportunity to educate others about a lesser-known aspect of her culture. This is especially powerful in a space like modeling, where models were once expected to have a uniform look. “The world is slowly recognizing that Indigenous people are not only beautiful and strong, but we hold values that are solutions to a lot of today’s problems, such as the climate crisis,” she says. Though she loves modeling and fashion in general, she wants to use it for something bigger. “I am a storyteller,” Chasinghorse says. “I wish I was able to see [someone like myself] as a kid, because I would have felt so much more confident in myself.” While the Michael Kors fall 2021 show included familiar faces such as Ashley Graham, Paloma Elsesser, Alek Wek, Bella Hadid, and Precious Lee, another group of models stole the show. Today, a pack of the original supers—Naomi Campbell, Helena Christensen, Carolyn Murphy, and Shalom Harlow—walked the runway too. The glowing foursome reunited in honor of Kors’s label’s 40th anniversary. The show was held in the Theater District, where the designer had regularly gone to see Broadway shows. Kors and his company also made a donation to the Actors Fund, which aids those working in the entertainment industry and has become crucial during COVID-19. Throughout the show, models strut down a lit-up Midtown while marquees boasted the Michael Kors name. As for those supermodel veterans? They all wore shimmering, body-skimming dresses in black, silver, and gold. This is not the first time that ’90s-era supermodels have joined one another onstage years later. Back in 2017, Cindy Crawford, Carla Bruni, Claudia Schiffer, and Helena Christensen, now all in their 50s, walked the Versace runway while lip-synching “Freedom! ’90” in honor of the 20th anniversary of the death of Gianni Versace.In both instances, it was refreshing to see women in their 40s and 50s walking the runway. And now when much of the shows are being seen through screens and not in person, a supermodel reunion may just be the moment that we all need for a bit of excitement. 6 Available products for Let Me Pour You A Tall Glass Of Get The Fuck Over It Skull Shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Home page: https://guineashirt.com This product belong to hung2 Joy Of Having An Amazing Polish Person In Your Life Tee Shirts White Not only the products are shown in the selection, but we also offer other products with this design. Below is a list of products available, Please contact us if you do not see this product in our product options. We will contact you within 12 hours And you will have the product according to your requirements, see more on the available products. Click here to buy this shirt: https://guineashirt.com/product/let-me-pour-you-a-tall-glass-of-get-the-fuck-over-it-skull-shirt/ As one of the fashion world’s top supermodels, Cindy Crawford has had no shortage of high-fashion moments. Whether she’s gracing the covers of magazines, walking the runways, or starring in iconic Super Bowl commercials (yes, the Pepsi one), each project comes with a stellar look—and now Crawford revisited some of her very best ones in a new Vogue video.Crawford began her trip down fashion memory lane by reminiscing on her days hosting MTV’s House of Style in the late 1980s. The show brought her authentic model-off-duty style to the forefront. “When I first started doing House of Style, there was no stylist,” says Crawford. “The first time we shot, I brought my own Azzedine Alaïa dress and leather jacket.” This continued on into the ’90s, when Crawford would often dress herself for red carpets, such as at the 1991 Oscars, when she wore a red-hot Versace number. “The red-carpet thing was not such a big deal [back then],” she says. Her innate style even seeped into her commercial projects: Crawford sported her own denim in her now iconic 1992 Pepsi Super Bowl commercial. “They were my own jeans that I wore to set that day,” she says. “They were like, ‘Can we just cut your jeans into cutoffs?’”And of course there are her catwalk moments. One of her standout memories was when she walked the Versace show in 1991 with her fellow supers Christy Turlington, Naomi Campbell, and Linda Evangelista. (The four of them strutted to the tune of George Michael’s “Freedom,” for which they also starred in the music video.) “It was one of those moments where music, pop culture, and fashion all came together in a super magical way,” says Crawford of the show. “Gianni [Versace] was really responsible for the rise of the supermodel.” She also cherishes her memories of shooting over the years with iconic fashion photographers, such as Steven Meisel and Helmut Newton. “[Helmut] would tell you a story as you were doing the picture,” Crawford says. “He would be like, ‘You were married to a very rich man, and he died. But you had a young lover.’”As for more recent style hits, Crawford says she has been enjoying playing dress-up with her daughter, Kaia Gerber—who is also a model and Vogue’s cover star this month—on the red carpet. When Gerber received the model of the year award at the 2018 Fashion Awards in a silver Alexander McQueen dress, Crawford accompanied her in a chic black Marchesa gown. “I was like, Yes, I’m still Cindy Crawford, but tonight I want to be Kaia’s mom,” said Crawford of the understated look. “The last thing I wanted to do was look like I’m competing with my 17-year-old daughter. It was elegant and chic but not trying to be a showstopper.” Her number one tip for both her children, Kaia and son Presley? “Show up on time, be prepared—and stay off your phone.”Above, watch the full Life in Looks video. Director: Rom BokobzaDirector of Photography: Vivian Lau Editor: Eve HinzProducer: Naomi NishiAssociate Producer: Arielle Neblett Camera Operator: Liz Hamer Gaffer: Cassi MulcahySound: Kara JohnsonSet Design: Sage GriffinProduction Assistant: Nicholle Navarro Filmed on location at Hotel Casa del Mar in Santa Monica For Vogue Mexico’s May issue, the publication wanted a cover star who represents “the face of a new generation of models,” and Indigenous model Quannah Chasinghorse certainly embodies this in more ways than one. Photographed by Inez & Vinoodh for the cover (in an ethereal Valentino dress, no less) the 18-year-old is a refreshing addition to the fashion scene: She proudly displays her traditional tattoos, rocks authentic Indigenous style, and has an array of impressive activism work under her belt too. In the process, she’s also breaking barriers, providing much-needed representation for Indigenous people in an industry that has long overlooked and excluded Indigenous talent.Currently based in Fairbanks, Alaska, Chasinghorse—who is Hän Gwich’in and Oglala Lakota—is still relatively new to modeling. She has lived in Alaska since she was seven, and only signed with IMG back in December. One of her first big modeling jobs was being cast in a Calvin Klein campaign in October last year, and since then, she has been cast in shoots for V and Thunder Voice Hat Co., an Indigenous-owned hat company. She says her new Vogue Mexico cover is completely surreal. “I’ve always wanted to model. But growing up, I never saw Indigenous representation in fashion or beauty,” Chasinghorse says. “I never grew up feeling confident because of the negative stereotypes of Native Americans. But that’s changing. Today, younger generations are going to be able to witness Indigenous excellence on the cover of magazines—and hopefully everywhere.”Prior to her foray into modeling, Chasinghorse was known predominantly for her activism work around Indigenous issues and climate change, and she has gained a large following on social media because of it (she currently has 40,000 followers on Instagram alone). In the past, she has fought tirelessly to conserve her state’s Arctic National Wildlife Refuge—a sweeping, 20-million-acre ecosystem that continues to face endangerment due to global warming—and she continues to use her social media to advocate for key issues such as this. “I’m extremely passionate about the [activism] work that I do,” says Chasinghorse. “I get Native youth reaching out to me and telling me that I inspire them to use their voice, and to look more into their identity as an Indigenous person too.”Chasinghorse is also bringing her knowledge and wisdom to her modeling work. With each job she takes, she hopes to educate people about her culture and to share her personal experiences. “People forget that we are people that have gone through so much,” says Chasinghorse. “They forget the history, let alone even know the history—it’s been invisibilized for years. But we’re starting to see more Indigenous people being uplifted and included, and it’s amazing to be a part of it.” One way she’s bringing her culture to the modeling space is through her love of Indigenous fashion. For a recent V shoot, for instance, she wore some of her own Indigenous-made jewelry pieces. “For many years, our culture and our sacred symbols have been [appropriated],” says Chasinghorse, who adds that she loves bringing authentic pieces that she and her family have made to the forefront of the fashion world. “My grandma and my aunties are the ones that taught me how to bead.”Chasinghorse also embraces her individuality in modeling through her traditional Hän Gwich’in tattoos, called Yidįįłtoo, which are a striking part of her signature look. “They make me feel more confident, because [by having them] I’m carrying a part of my ancestors that was almost completely lost,” says Chasinghorse. She got her first tattoo, a singular line running down her chin, at age 14. It was done by her mother in a hand-poke style. “My mom has been educating me about our sacred tattoos since a young age,” says Chasinghorse. “The meaning of my first tattoo is all about becoming a woman. [In my culture] when someone steps into her womanhood, she is now able to give birth, get married, and start taking on more responsibilities. With that comes a ceremony; we always hold a ceremony when we do traditional tattoos. It was such a powerful experience. When I got the tattoo, I really felt myself connecting to a deeper part of myself.”She got her second traditional tattoo—three dots at the corner of each eye—last year. It was also done by her mother, and inspired by a dream she had about her. “I’ve been battling with depression and anxiety since elementary school, and I realized I needed to start focusing on my healing,” says Chasinghorse. “I had a dream that my mom was tattooing around my eyes, and she said, ‘You need to start your healing journey.’” She decided to get the tattoos done as an homage to the resiliency and constant healing work that Indigenous people have to go through. “I remember when I was done, I felt like a different person,” says Chasinghorse. She wants to continue adding to it too. “I’m not done with it; I want to connect the three dots to form a line,” she says. Like all of her activism work and impactful fashion choices, she sees her tattoos as an opportunity to educate others about a lesser-known aspect of her culture. This is especially powerful in a space like modeling, where models were once expected to have a uniform look. “The world is slowly recognizing that Indigenous people are not only beautiful and strong, but we hold values that are solutions to a lot of today’s problems, such as the climate crisis,” she says. Though she loves modeling and fashion in general, she wants to use it for something bigger. “I am a storyteller,” Chasinghorse says. “I wish I was able to see [someone like myself] as a kid, because I would have felt so much more confident in myself.” While the Michael Kors fall 2021 show included familiar faces such as Ashley Graham, Paloma Elsesser, Alek Wek, Bella Hadid, and Precious Lee, another group of models stole the show. Today, a pack of the original supers—Naomi Campbell, Helena Christensen, Carolyn Murphy, and Shalom Harlow—walked the runway too. The glowing foursome reunited in honor of Kors’s label’s 40th anniversary. The show was held in the Theater District, where the designer had regularly gone to see Broadway shows. Kors and his company also made a donation to the Actors Fund, which aids those working in the entertainment industry and has become crucial during COVID-19. Throughout the show, models strut down a lit-up Midtown while marquees boasted the Michael Kors name. As for those supermodel veterans? They all wore shimmering, body-skimming dresses in black, silver, and gold. This is not the first time that ’90s-era supermodels have joined one another onstage years later. Back in 2017, Cindy Crawford, Carla Bruni, Claudia Schiffer, and Helena Christensen, now all in their 50s, walked the Versace runway while lip-synching “Freedom! ’90” in honor of the 20th anniversary of the death of Gianni Versace.In both instances, it was refreshing to see women in their 40s and 50s walking the runway. And now when much of the shows are being seen through screens and not in person, a supermodel reunion may just be the moment that we all need for a bit of excitement. 6 Available products for Let Me Pour You A Tall Glass Of Get The Fuck Over It Skull Shirt: Classic Men’s Shirt Classic Women’s Shirt Women’s The Boyfriend Tee Women’s Heather Wicking Tee Women’s Scoop Neck T-shirt Women’s Slouchy top Women’s Organic Tee Men’s Short Sleeve Tee Unisex Jersey Short Sleeve Tee Men’s Cotton Crew Tee Unisex Ultra Cotton Tee Men’s Heather Dri-Fit Tee Men’s Polo Shirt Men’s Jersey Polo Shirt Unisex Ringer Tee Men’s Lightweight Fashion Tee Men’s V-Neck Unisex Jersey Short Sleeve V-Neck Tee Women V-Neck Women’s Jersey Short Sleeve Deep V-Neck Tee Unisex Hoodie Unisex Heavy Blend™ Full-Zip Hooded Sweatshirt Men’s Lightweight Zip Hooded Sweatshirt Unisex French Terry Zip Hoodie AOP Unisex Zip Hoodie Unisex Longsleeve Unisex Jersey Long Sleeve Tee Unisex 3/4 Sleeve Baseball Tee Unisex Tri-Blend 3/4 Raglan Tee Men’s Varsity Jacket Youth T-shirt Sweatshirt Unisex Tank Top Men’s Sleeveless Performance Tee Women’s Cut & Sew Racerback Dress Women’s Pencil Skirt Women’s Cut & Sew Casual Leggings Women’s Sponge Fleece Wide Neck Sweatshirt Kids Regular Fit Tee Infant Long Sleeve Bodysuit Mug $22.99 Phone Case Bags Unisex Flip-Flops Available Size: XS, S, M, L, XL, 2XL, 3XL, 4XL, 5XL Available Color: Black, Cardinal Red, Forest Green, Gold, Navy, Royal, Sport Grey, White… Home page: https://guineashirt.com This product belong to hung2
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